Test:Lilypond2: Forskjell mellom sideversjoner
Ingen redigeringsforklaring |
Ingen redigeringsforklaring |
||
| Linje 232: | Linje 232: | ||
} | } | ||
\midi { | \midi { | ||
\tempo 4 = 70 | \tempo 4 = 70 | ||
} | } | ||
} | } | ||
} | } | ||
</music> | </music> | ||
Sideversjonen fra 11. sep. 2005 kl. 18:37
<music>
\header {
title = "I kveld"
composer = "Lars Jakobsen Engen"
}
upper = {
\clef treble \key a \major \relative c'{
<< {\cadenzaOn e4 a4 a8 a8 b4 c4 d4 b4 \bar "|" e4 c8 a8 f'2 \bar "|" d4 c8 b8 e2 \bar "|" } \\ {e,4 e4 e8 e8 f4 f4 f4 g4 \bar "|" a4 a8 a8 a2 \bar "|" b4 g8 g8 a2 \bar "|"} >>
}
}
%{ text = \lyricmode {
I - kveld mangen
}
%}
lower = {
\clef bass \key a \major \relative c'{
\cadenzaOn e4 c4 c8 c8 d4 c4 b4 e4 \bar "|" b4 f'8 e8 d2 \bar "|" b4 e8 d8 c2 \bar "|"
}
}
\score {
\context GrandStaff <<
\context Staff = upper {
\context Voice = singer \upper
}
%\lyricsto "singer" \new Lyrics \text
\context Staff = lower {
\lower
}
>>
\midi {
}
\layout {
\context { \GrandStaff \accepts "Lyrics" }
%\context { \Lyrics \consists "Bar_engraver" }
}
}
</music>
<music> \header {
title = "Sängers Morgenlied" composer = "Franz Schubert (1797-1828)" date = "27. Februar 1815" source = "Edition Peters" editor = "Paul Losse" enteredby="Han-Wen Nienhuys" maintainer="hanwen@xs4all.nl"
texidoc = "The source is a rather tightly set Peters in Edition is a heavy font. The Peters edition (4622c) was `herausgegeben' by Paul Losse, whose name also appears on a 1956 edition of some other music. Strictly speaking, his edititorial enhancements will not be in the PD - but I am assuming there are no notable ones in this small piece.
The original compresses the entire music onto a single page, in 4 systems. Lily does so too if you tune down spacing-increment, but chooses line breaks differently.
Further manual tweaks: the slur in measure 12 has been flattened
manually. The beam in measure 3, left-hand, technically is wrong, but has been added following the original. The crescendo in measure 4 has been lowered
"
}
\version "2.6.0" manuscriptBreak = { \break }
- (set-global-staff-size (/ (* 5.8 72.27) 25.4))
\paper { %#(set-global-staff-size (* 5.8 mm))
linewidth = #(* mm 160) indent = 8\mm interscoreline = 2.\mm betweensystemspace = 15\mm raggedbottom = ##t }
modernAccidentals = {
\set Staff.extraNatural = ##f \set Staff.autoAccidentals = #'(Staff (same-octave . 1) (any-octave . 0)) \set Staff.autoCautionaries = #'()
}
melody = \relative c \repeat volta 2 \context Voice = "singer" {
\time 6/8
\autoBeamOff
s1*0^\markup { \bold \large\bigger\bigger { \hspace #-3.0 Lieblich, etwas geschwind } }
R2.
r4 r8 c4 g8 |
e4 c8
<<
\new Voice { \stemUp f8. g16 } { \stemDown f8.[ g16] } >> \stemNeutral a8 |
fis4 g8 c16[ b a g] f[ e] | d4 f8 a16[ g fis g] f[ d] | g4. r8 gis gis | a4 a16.[ b32] c4 fis,8 | g4.~ g8-\fermata g8 g | as4 as8 g4 g8 | fis4 fis8 r8 g g | a!4 a8 g4 g8 | fis4 fis8 d'16[ c b a] g[ f] | e4 g8 d4 g8 e4 r8 b'16[ c d b] g[ f] | e4 g8 d4 a'16[ g] | c,4 r8 r4 r8 |
% TODO : make \fermata work. R2.^\fermataMarkup
}
ignoreMelisma = \set ignoreMelismata = ##t
ignoreMelismaOff = \unset ignoreMelismata
firstVerse = \lyricmode {
\set stanza = "1." Sü -- ßes Licht! Aus \ignoreMelisma gol -- \ignoreMelismaOff
de -- nen Pfor -- ten brichst du __ \manuscriptBreak | sie -- gend durch __ die Nacht. Schö -- ner Tag, du __ bist er -- wacht. __ Mit ge -- | \manuscriptBreak heim -- nis -- vol -- len Wor -- ten, in me -- lo -- di -- schen Ak -- kor -- den, grüß __ ich __ \manuscriptBreak | dei -- ne Ro -- sen -- pracht, grüß __ ich __ dei -- ne Ro -- sen -- pracht. }
secondVerse = \lyricmode {
\set stanza = "2." Ach, der Lie -- be sanf -- tes We -- hen schwellt mir | das be -- weg -- te __ Herz, sanft, wie ein ge -- lieb -- ter Schmerz. __ Dürft ich | nur auf gold -- nen Hö -- hen mich im Mor -- gen -- duft er -- ge -- hen! Sehn -- sucht | zieht mich him -- mel -- wärts, Sehn -- sucht zieht mich him -- mel -- wärts. }
pianoRH = \relative c \repeat volta 2 {
#(set-accidental-style 'modern)
g16(_\p fis a g fis g f e d c b a ) |
<g e>8( <es fis a> <d f b> <c e c'>) r8 r |
r8 c'( e,) f r a |
\once \override DynamicLineSpanner #'padding =#3
r8 << { s8 s8 } << { fis(\> g)\!
} \\ { c,4 } >> >> r8 <e c g> <e c g> |
<d c a>4. r8 \clef bass <d b f> <d b f> |
e,16_" "_\markup { \bold\italic cresc. } g c g e g d gis b gis d gis |
c, e a e c e a,-\f d fis d a d |
b d g d b g r4\fermata \clef treble g8 |
as4.( g 4.) | fis4. r4 <d g>8 ( |
<f a>4.) <e g>4.( <es fis> ) <d f>\sf |
r8 <e c g> <e c g> r <d b g > <d b g> |
r <e c g> <e c g> r <f d b g> <f d b g> |
r <e c g> <e c g> r <d b f> <d b f> |
c16(_\f b c e g b c b c e g <e b'>) |
<c c'>8 r r <c, g e>8 r r\fermata |
}
pianoLH = \relative c \repeat volta 2 {
#(set-accidental-style 'modern) g16( fis a g fis g f e d c b a) | \clef bass g4.( c,8) r r \clef treble r4 <bes' c>8([ <a c>)] r <f c'> | \clef bass r8 dis( e) r c c | f,4. r8 g g | <c, c,>4. <e e,>4. | a,4. <d d,>4. | g,8 r r g16 r16\fermata r8 g8 | as4.( g ) | fis r4 <g b>8( | <f c'>4.)
\once \override Slur #'height-limit = #1.0
<g c>4.( | <a c>4.) <g b,> | c,4 r8 g4 r8 | c4 r8 g4 r8 | c4 r8 g4 r8 | <c g e c>8 <c e g> <c e g> <c e g> <c e g> <c e g> | <c e g> r r <c, c,>8 r r\fermata \clef treble }
\book {
\score {
<< \time 6/8 \new Staff << \context Staff #(set-accidental-style 'modern) \melody >> \lyricsto "singer" \new Lyrics \firstVerse \lyricsto "singer" \new Lyrics \secondVerse \new PianoStaff << \set PianoStaff.instrument = \markup { \bold \bigger\bigger\bigger\bigger \huge "2. " } \new Staff \pianoRH \new Staff \pianoLH >>
>>
\layout { \context { \Lyrics minimumVerticalExtent = #'(-0.5 . 2.5) \override LyricText #'font-size = #-1 } \context { \Score \override Beam #'thickness = #0.55 \override SpacingSpanner #'spacing-increment = #1.0 \override Slur #'height-limit = #1.5 } \context { \PianoStaff \override VerticalAlignment #'forced-distance = #10 } } \midi { \tempo 4 = 70 }
}
} </music>