Test:Lilypond2

<music>

\header {

       title = "I kveld"
       composer = "Lars Jakobsen Engen"

}

upper = {

       \clef treble \key a \major \relative c'{
               << {\cadenzaOn e4 a4 a8 a8 b4 c4 d4 b4 \bar "|" e4 c8 a8 f'2 \bar "|" d4 c8 b8 e2 \bar "|" } \\ {e,4 e4 e8 e8 f4 f4 f4 g4 \bar "|" a4 a8 a8  a2 \bar "|" b4 g8 g8 a2 \bar "|"} >>
               }
       }

%{ text = \lyricmode {

       I - kveld mangen
       }

%}

lower = {

       \clef bass \key a \major \relative c'{
               \cadenzaOn e4 c4 c8 c8 d4 c4 b4 e4  \bar "|" b4 f'8 e8 d2 \bar "|" b4 e8 d8 c2 \bar "|"
               }
       }

\score {

       \context GrandStaff <<
       \context  Staff = upper {
               \context Voice = singer \upper
               }
       %\lyricsto "singer" \new Lyrics \text
       \context Staff = lower {
               \lower
       }
       >>
       \midi {
       }
       \layout {
               \context { \GrandStaff \accepts "Lyrics" }
               %\context { \Lyrics \consists "Bar_engraver" }
       }

}

</music>

<music> \header {

   title = "Sängers Morgenlied"
   composer = "Franz Schubert (1797-1828)"
   date = "27. Februar 1815"
   source = "Edition Peters"
   editor = "Paul Losse"
   enteredby="Han-Wen Nienhuys"
   maintainer="hanwen@xs4all.nl"

   texidoc = "The source is a rather tightly set Peters in Edition is
   a heavy font. The Peters edition (4622c) was `herausgegeben' by
   Paul Losse, whose name also appears on a 1956 edition of some
   other music. Strictly speaking, his edititorial enhancements will
   not be in the PD - but I am assuming there are no notable ones in
   this small piece.

   The original compresses the entire music onto a single page, in 4
   systems.  Lily does so too if you tune down spacing-increment, but
   chooses line breaks differently.

   Further manual tweaks: the slur in measure 12 has been flattened

manually. The beam in measure 3, left-hand, technically is wrong, but has been added following the original. The crescendo in measure 4 has been lowered

"

}

\version "2.6.0" manuscriptBreak = { \break }

1. (set-global-staff-size (/ (* 5.8 72.27) 25.4))

\paper { %#(set-global-staff-size (* 5.8 mm))

   linewidth = #(* mm 160)
   indent = 8\mm
   interscoreline = 2.\mm
   betweensystemspace = 15\mm
   raggedbottom = ##t 
   }

modernAccidentals = {

 \set Staff.extraNatural =  ##f
 \set Staff.autoAccidentals =  #'(Staff (same-octave . 1) (any-octave . 0))
 \set Staff.autoCautionaries =  #'()  

}

melody = \relative c \repeat volta 2 \context Voice = "singer" {

   \time 6/8
   \autoBeamOff
   s1*0^\markup { \bold \large\bigger\bigger { \hspace #-3.0 Lieblich, etwas geschwind } }
 R2.
 r4 r8 c4 g8 |
 e4 c8
   <<

\new Voice { \stemUp f8. g16 } { \stemDown f8.[ g16] } >> \stemNeutral a8 |

 fis4  g8 c16[ b a g] f[ e] |
 d4 f8 a16[ g fis g] f[ d] |
 g4. r8 gis gis |
 a4 a16.[ b32] c4 fis,8 |
 g4.~ g8-\fermata g8 g |
 as4 as8 g4 g8 |
 fis4 fis8 r8 g g  |
 a!4 a8 g4 g8 |
 fis4 fis8 d'16[ c b a] g[ f] |
 e4 g8 d4 g8 e4 r8 b'16[ c d b] g[ f] |
 e4 g8 d4 a'16[ g] |
 c,4 r8 r4 r8 |

   % TODO : make \fermata work. 
 R2.^\fermataMarkup 

}

ignoreMelisma = \set ignoreMelismata = ##t ignoreMelismaOff = \unset ignoreMelismata

firstVerse = \lyricmode {

   \set stanza = "1."
   
   Sü -- ßes Licht! Aus
   \ignoreMelisma
   gol --
   \ignoreMelismaOff

   de -- nen  Pfor -- ten brichst du __ \manuscriptBreak | 
   sie -- gend durch __ die Nacht. Schö -- ner Tag, du __ bist er -- wacht. __ Mit ge -- |
   \manuscriptBreak
   heim -- nis -- vol -- len Wor -- ten, in me -- lo -- di -- schen Ak -- kor -- den, grüß __ ich __ \manuscriptBreak |
   dei -- ne Ro -- sen -- pracht, grüß __ ich __ dei -- ne Ro -- sen -- pracht. 
   }

secondVerse = \lyricmode {

   \set stanza = "2."
   Ach, der Lie -- be sanf
   -- tes We -- hen schwellt mir |
   das be -- weg -- te __ Herz, sanft, wie ein ge -- lieb -- ter Schmerz. __ Dürft ich | 
   nur auf gold -- nen Hö -- hen mich im Mor -- gen -- duft er -- ge -- hen! Sehn -- sucht |
   zieht mich him -- mel -- wärts, Sehn -- sucht zieht mich him -- mel -- wärts.
   }

pianoRH = \relative c \repeat volta 2 {

   #(set-accidental-style 'modern)
   g16(_\p fis a g fis g f e d c b a ) | 
   <g e>8( <es fis a> <d f b> <c e c'>) r8 r | 
   r8 c'( e,) f r a |
   \once \override DynamicLineSpanner   #'padding =#3
   r8 << { s8 s8 }  << { fis(\> g)\!

} \\ { c,4 } >> >> r8 <e c g> <e c g> |

   <d c a>4. r8 \clef bass  <d b f> <d b f> |
   e,16_" "_\markup { \bold\italic cresc. } g c g e g d gis b gis d gis |
   c, e a e c e a,-\f d fis d a d |
   b d g  d b g r4\fermata \clef treble g8 |
   as4.( g 4.) | fis4. r4 <d g>8 ( |
   <f a>4.) <e g>4.( <es fis> ) <d f>\sf |
   r8 <e c g> <e c g> r <d b g > <d b g> |
   r <e c g> <e c g> r <f d b g> <f d b g> |
   r <e c g> <e c g> r <d b f> <d b f> |
   c16(_\f b c e g b c b c e g <e b'>) |
   <c c'>8 r r <c, g e>8 r r\fermata |  

}

pianoLH = \relative c \repeat volta 2 {

   #(set-accidental-style 'modern)
   g16( fis a g fis g f e d c b a) | 
   \clef bass g4.( c,8) r r
   \clef treble r4 <bes' c>8([ <a c>)] r <f c'> |
   \clef bass r8 dis( e) r c c |
   f,4. r8 g g |
   <c, c,>4. <e e,>4. |
   a,4. <d d,>4. |
   g,8 r r g16 r16\fermata r8 g8 |
   as4.( g ) |
   fis r4 <g b>8( |
   <f c'>4.)

   \once \override Slur  #'height-limit = #1.0

   <g c>4.( | <a c>4.) <g b,> |
   c,4 r8 g4 r8 |
   c4 r8 g4 r8 |
   c4 r8 g4 r8 |
   <c g e c>8 <c e g> <c e g>     <c e g> <c e g> <c e g> |
   <c e g> r r <c, c,>8 r r\fermata \clef treble
   }

\book {

   \score {

<< \time 6/8 \new Staff << \context Staff #(set-accidental-style 'modern) \melody >> \lyricsto "singer" \new Lyrics \firstVerse \lyricsto "singer" \new Lyrics \secondVerse \new PianoStaff << \set PianoStaff.instrument = \markup { \bold \bigger\bigger\bigger\bigger \huge "2. " } \new Staff \pianoRH \new Staff \pianoLH >>

      >>

\layout { \context { \Lyrics minimumVerticalExtent = #'(-0.5 . 2.5) \override LyricText #'font-size = #-1 } \context { \Score \override Beam #'thickness = #0.55 \override SpacingSpanner #'spacing-increment = #1.0 \override Slur #'height-limit = #1.5 } \context { \PianoStaff \override VerticalAlignment #'forced-distance = #10 } } \midi { \tempo 4 = 70 }

   }

} </music>