|
|
| (2 mellomliggende revisjoner av samme bruker vises ikke) |
| Linje 6: |
Linje 6: |
| | } | | } |
| | | | |
| − | upper = { | + | upper = { |
| | + | \set Staff.autoBeaming = ##f |
| | \clef treble \key a \major \relative c'{ | | \clef treble \key a \major \relative c'{ |
| | << {\cadenzaOn e4 a4 a8 a8 b4 c4 d4 b4 \bar "|" e4 c8 a8 f'2 \bar "|" d4 c8 b8 e2 \bar "|" } \\ {e,4 e4 e8 e8 f4 f4 f4 g4 \bar "|" a4 a8 a8 a2 \bar "|" b4 g8 g8 a2 \bar "|"} >> | | << {\cadenzaOn e4 a4 a8 a8 b4 c4 d4 b4 \bar "|" e4 c8 a8 f'2 \bar "|" d4 c8 b8 e2 \bar "|" } \\ {e,4 e4 e8 e8 f4 f4 f4 g4 \bar "|" a4 a8 a8 a2 \bar "|" b4 g8 g8 a2 \bar "|"} >> |
| Linje 18: |
Linje 19: |
| | | | |
| | lower = { | | lower = { |
| | + | \set Staff.autoBeaming = ##f |
| | \clef bass \key a \major \relative c'{ | | \clef bass \key a \major \relative c'{ |
| | \cadenzaOn e4 c4 c8 c8 d4 c4 b4 e4 \bar "|" b4 f'8 e8 d2 \bar "|" b4 e8 d8 c2 \bar "|" | | \cadenzaOn e4 c4 c8 c8 d4 c4 b4 e4 \bar "|" b4 f'8 e8 d2 \bar "|" b4 e8 d8 c2 \bar "|" |
| Linje 39: |
Linje 41: |
| | %\context { \Lyrics \consists "Bar_engraver" } | | %\context { \Lyrics \consists "Bar_engraver" } |
| | } | | } |
| − | }
| |
| − |
| |
| − | </music>
| |
| − |
| |
| − | <music>
| |
| − | \header {
| |
| − | title = "Sängers Morgenlied"
| |
| − | composer = "Franz Schubert (1797-1828)"
| |
| − | date = "27. Februar 1815"
| |
| − | source = "Edition Peters"
| |
| − | editor = "Paul Losse"
| |
| − | enteredby="Han-Wen Nienhuys"
| |
| − | maintainer="hanwen@xs4all.nl"
| |
| − |
| |
| − | texidoc = "The source is a rather tightly set Peters in Edition is
| |
| − | a heavy font. The Peters edition (4622c) was `herausgegeben' by
| |
| − | Paul Losse, whose name also appears on a 1956 edition of some
| |
| − | other music. Strictly speaking, his edititorial enhancements will
| |
| − | not be in the PD - but I am assuming there are no notable ones in
| |
| − | this small piece.
| |
| − |
| |
| − | The original compresses the entire music onto a single page, in 4
| |
| − | systems. Lily does so too if you tune down spacing-increment, but
| |
| − | chooses line breaks differently.
| |
| − |
| |
| − | Further manual tweaks: the slur in measure 12 has been flattened
| |
| − | manually. The beam in measure 3, left-hand, technically is wrong, but
| |
| − | has been added following the original. The crescendo in measure 4 has
| |
| − | been lowered
| |
| − |
| |
| − | "
| |
| − |
| |
| − | }
| |
| − |
| |
| − | \version "2.6.0"
| |
| − | manuscriptBreak = { \break }
| |
| − |
| |
| − |
| |
| − |
| |
| − | #(set-global-staff-size (/ (* 5.8 72.27) 25.4))
| |
| − |
| |
| − | \paper {
| |
| − | %#(set-global-staff-size (* 5.8 mm))
| |
| − | linewidth = #(* mm 160)
| |
| − | indent = 8\mm
| |
| − | interscoreline = 2.\mm
| |
| − | betweensystemspace = 15\mm
| |
| − | raggedbottom = ##t
| |
| − | }
| |
| − |
| |
| − | modernAccidentals = {
| |
| − | \set Staff.extraNatural = ##f
| |
| − | \set Staff.autoAccidentals = #'(Staff (same-octave . 1) (any-octave . 0))
| |
| − | \set Staff.autoCautionaries = #'()
| |
| − | }
| |
| − |
| |
| − |
| |
| − | melody = \relative c'' \repeat volta 2 \context Voice = "singer" {
| |
| − | \time 6/8
| |
| − | \autoBeamOff
| |
| − | s1*0^\markup { \bold \large\bigger\bigger { \hspace #-3.0 Lieblich, etwas geschwind } }
| |
| − | R2.
| |
| − | r4 r8 c4 g8 |
| |
| − | e4 c8
| |
| − | <<
| |
| − | \new Voice { \stemUp f8. g16 }
| |
| − | { \stemDown f8.[ g16] } >> \stemNeutral a8 |
| |
| − | fis4 g8 c16[ b a g] f[ e] |
| |
| − | d4 f8 a16[ g fis g] f[ d] |
| |
| − | g4. r8 gis gis |
| |
| − | a4 a16.[ b32] c4 fis,8 |
| |
| − | g4.~ g8-\fermata g8 g |
| |
| − | as4 as8 g4 g8 |
| |
| − | fis4 fis8 r8 g g |
| |
| − | a!4 a8 g4 g8 |
| |
| − | fis4 fis8 d'16[ c b a] g[ f] |
| |
| − | e4 g8 d4 g8 e4 r8 b'16[ c d b] g[ f] |
| |
| − | e4 g8 d4 a'16[ g] |
| |
| − | c,4 r8 r4 r8 |
| |
| − |
| |
| − | % TODO : make \fermata work.
| |
| − | R2.^\fermataMarkup
| |
| − | }
| |
| − |
| |
| − |
| |
| − | ignoreMelisma = \set ignoreMelismata = ##t
| |
| − | ignoreMelismaOff = \unset ignoreMelismata
| |
| − |
| |
| − |
| |
| − | firstVerse = \lyricmode {
| |
| − | \set stanza = "1."
| |
| − |
| |
| − | Sü -- ßes Licht! Aus
| |
| − | \ignoreMelisma
| |
| − | gol --
| |
| − | \ignoreMelismaOff
| |
| − |
| |
| − | de -- nen Pfor -- ten brichst du __ \manuscriptBreak |
| |
| − | sie -- gend durch __ die Nacht. Schö -- ner Tag, du __ bist er -- wacht. __ Mit ge -- |
| |
| − | \manuscriptBreak
| |
| − | heim -- nis -- vol -- len Wor -- ten, in me -- lo -- di -- schen Ak -- kor -- den, grüß __ ich __ \manuscriptBreak |
| |
| − | dei -- ne Ro -- sen -- pracht, grüß __ ich __ dei -- ne Ro -- sen -- pracht.
| |
| − | }
| |
| − |
| |
| − | secondVerse = \lyricmode {
| |
| − | \set stanza = "2."
| |
| − | Ach, der Lie -- be sanf
| |
| − | -- tes We -- hen schwellt mir |
| |
| − | das be -- weg -- te __ Herz, sanft, wie ein ge -- lieb -- ter Schmerz. __ Dürft ich |
| |
| − | nur auf gold -- nen Hö -- hen mich im Mor -- gen -- duft er -- ge -- hen! Sehn -- sucht |
| |
| − | zieht mich him -- mel -- wärts, Sehn -- sucht zieht mich him -- mel -- wärts.
| |
| − | }
| |
| − |
| |
| − | pianoRH = \relative c''' \repeat volta 2 {
| |
| − | #(set-accidental-style 'modern)
| |
| − | g16(_\p fis a g fis g f e d c b a ) |
| |
| − | <g e>8( <es fis a> <d f b> <c e c'>) r8 r |
| |
| − | r8 c'( e,) f r a |
| |
| − | \once \override DynamicLineSpanner #'padding =#3
| |
| − | r8 << { s8 s8 } << { fis(\> g)\!
| |
| − | } \\ { c,4 } >> >> r8 <e c g> <e c g> |
| |
| − | <d c a>4. r8 \clef bass <d b f> <d b f> |
| |
| − | e,16_" "_\markup { \bold\italic cresc. } g c g e g d gis b gis d gis |
| |
| − | c, e a e c e a,-\f d fis d a d |
| |
| − | b d g d b g r4\fermata \clef treble g''8 |
| |
| − | as4.( g 4.) | fis4. r4 <d g>8 ( |
| |
| − | <f a>4.) <e g>4.( <es fis> ) <d f>\sf |
| |
| − | r8 <e c g> <e c g> r <d b g > <d b g> |
| |
| − | r <e c g> <e c g> r <f d b g> <f d b g> |
| |
| − | r <e c g> <e c g> r <d b f> <d b f> |
| |
| − | c16(_\f b c e g b c b c e g <e b'>) |
| |
| − | <c c'>8 r r <c, g e>8 r r\fermata |
| |
| − | }
| |
| − |
| |
| − | pianoLH = \relative c'' \repeat volta 2 {
| |
| − | #(set-accidental-style 'modern)
| |
| − | g16( fis a g fis g f e d c b a) |
| |
| − | \clef bass g4.( c,8) r r
| |
| − | \clef treble r4 <bes' c>8([ <a c>)] r <f c'> |
| |
| − | \clef bass r8 dis( e) r c c |
| |
| − | f,4. r8 g g |
| |
| − | <c, c,>4. <e e,>4. |
| |
| − | a,4. <d d,>4. |
| |
| − | g,8 r r g16 r16\fermata r8 g''8 |
| |
| − | as4.( g ) |
| |
| − | fis r4 <g b>8( |
| |
| − | <f c'>4.)
| |
| − |
| |
| − | \once \override Slur #'height-limit = #1.0
| |
| − |
| |
| − | <g c>4.( | <a c>4.) <g b,> |
| |
| − | c,4 r8 g4 r8 |
| |
| − | c4 r8 g4 r8 |
| |
| − | c4 r8 g4 r8 |
| |
| − | <c g e c>8 <c e g> <c e g> <c e g> <c e g> <c e g> |
| |
| − | <c e g> r r <c, c,>8 r r\fermata \clef treble
| |
| − | }
| |
| − |
| |
| − | \book {
| |
| − | \score {
| |
| − | << \time 6/8
| |
| − | \new Staff <<
| |
| − | \context Staff #(set-accidental-style 'modern)
| |
| − | \melody >>
| |
| − | \lyricsto "singer" \new Lyrics \firstVerse
| |
| − | \lyricsto "singer" \new Lyrics \secondVerse
| |
| − | \new PianoStaff <<
| |
| − | \set PianoStaff.instrument = \markup {
| |
| − | \bold
| |
| − | \bigger\bigger\bigger\bigger \huge "2. " }
| |
| − | \new Staff \pianoRH
| |
| − | \new Staff \pianoLH
| |
| − | >>
| |
| − | >>
| |
| − |
| |
| − | \layout {
| |
| − | \context {
| |
| − | \Lyrics
| |
| − | minimumVerticalExtent = #'(-0.5 . 2.5)
| |
| − | \override LyricText #'font-size = #-1
| |
| − | }
| |
| − | \context {
| |
| − | \Score
| |
| − | \override Beam #'thickness = #0.55
| |
| − | \override SpacingSpanner #'spacing-increment = #1.0
| |
| − | \override Slur #'height-limit = #1.5
| |
| − | }
| |
| − | \context {
| |
| − | \PianoStaff
| |
| − | \override VerticalAlignment #'forced-distance = #10
| |
| − | }
| |
| − | }
| |
| − | \midi {
| |
| − | \tempo 4 = 70
| |
| − | }
| |
| − | }
| |
| | } | | } |
| | </music> | | </music> |
