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Linje 6: Linje 6:
 
}
 
}
  
−
upper = {  \clef treble \key a \major \relative c'{
+
upper = {   
 +
        \clef treble \key a \major \relative c'{
 
                 << {\cadenzaOn e4 a4 a8 a8 b4 c4 d4 b4 \bar "|" e4 c8 a8 f'2 \bar "|" d4 c8 b8 e2 \bar "|" } \\ {e,4 e4 e8 e8 f4 f4 f4 g4 \bar "|" a4 a8 a8  a2 \bar "|" b4 g8 g8 a2 \bar "|"} >>
 
                 << {\cadenzaOn e4 a4 a8 a8 b4 c4 d4 b4 \bar "|" e4 c8 a8 f'2 \bar "|" d4 c8 b8 e2 \bar "|" } \\ {e,4 e4 e8 e8 f4 f4 f4 g4 \bar "|" a4 a8 a8  a2 \bar "|" b4 g8 g8 a2 \bar "|"} >>
 
                 }
 
                 }
Linje 40: Linje 41:
 
}
 
}
  
 +
</music>
 +
 +
<music>
 +
\header {
 +
    title = "Sängers Morgenlied"
 +
    composer = "Franz Schubert (1797-1828)"
 +
    date = "27. Februar 1815"
 +
    source = "Edition Peters"
 +
    editor = "Paul Losse"
 +
    enteredby="Han-Wen Nienhuys"
 +
    maintainer="hanwen@xs4all.nl"
 +
 +
    texidoc = "The source is a rather tightly set Peters in Edition is
 +
    a heavy font. The Peters edition (4622c) was `herausgegeben' by
 +
    Paul Losse, whose name also appears on a 1956 edition of some
 +
    other music. Strictly speaking, his edititorial enhancements will
 +
    not be in the PD - but I am assuming there are no notable ones in
 +
    this small piece.
 +
 +
    The original compresses the entire music onto a single page, in 4
 +
    systems.  Lily does so too if you tune down spacing-increment, but
 +
    chooses line breaks differently.
 +
 +
    Further manual tweaks: the slur in measure 12 has been flattened
 +
manually. The beam in measure 3, left-hand, technically is wrong, but
 +
has been added following the original. The crescendo in measure 4 has
 +
been lowered
 +
 +
"
 +
 +
}
 +
 +
\version "2.6.0"
 +
manuscriptBreak = { \break }
 +
 +
 +
 +
#(set-global-staff-size (/ (* 5.8 72.27) 25.4))
 +
 +
\paper  {
 +
%#(set-global-staff-size (* 5.8 mm))
 +
    linewidth = #(* mm 160)
 +
    indent = 8\mm
 +
    interscoreline = 2.\mm
 +
    betweensystemspace = 15\mm
 +
    raggedbottom = ##t
 +
    }
 +
 +
modernAccidentals = {
 +
  \set Staff.extraNatural =  ##f
 +
  \set Staff.autoAccidentals =  #'(Staff (same-octave . 1) (any-octave . 0))
 +
  \set Staff.autoCautionaries =  #'() 
 +
}
 +
 +
 +
melody =    \relative c'' \repeat volta 2 \context Voice = "singer" {
 +
    \time 6/8
 +
    \autoBeamOff
 +
    s1*0^\markup { \bold \large\bigger\bigger { \hspace #-3.0 Lieblich, etwas geschwind } }
 +
  R2.
 +
  r4 r8 c4 g8 |
 +
  e4 c8
 +
    <<
 +
\new Voice { \stemUp f8. g16 }
 +
{ \stemDown f8.[ g16] } >> \stemNeutral a8 |
 +
  fis4  g8 c16[ b a g] f[ e] |
 +
  d4 f8 a16[ g fis g] f[ d] |
 +
  g4. r8 gis gis |
 +
  a4 a16.[ b32] c4 fis,8 |
 +
  g4.~ g8-\fermata g8 g |
 +
  as4 as8 g4 g8 |
 +
  fis4 fis8 r8 g g  |
 +
  a!4 a8 g4 g8 |
 +
  fis4 fis8 d'16[ c b a] g[ f] |
 +
  e4 g8 d4 g8 e4 r8 b'16[ c d b] g[ f] |
 +
  e4 g8 d4 a'16[ g] |
 +
  c,4 r8 r4 r8 |
 +
 +
    % TODO : make \fermata work.
 +
  R2.^\fermataMarkup
 +
}
 +
 +
 +
ignoreMelisma = \set ignoreMelismata = ##t
 +
ignoreMelismaOff = \unset ignoreMelismata
 +
 +
 +
firstVerse = \lyricmode {
 +
    \set stanza = "1."
 +
   
 +
    Sü -- ßes Licht! Aus
 +
    \ignoreMelisma
 +
    gol --
 +
    \ignoreMelismaOff
 +
 +
    de -- nen  Pfor -- ten brichst du __ \manuscriptBreak |
 +
    sie -- gend durch __ die Nacht. Schö -- ner Tag, du __ bist er -- wacht. __ Mit ge -- |
 +
    \manuscriptBreak
 +
    heim -- nis -- vol -- len Wor -- ten, in me -- lo -- di -- schen Ak -- kor -- den, grüß __ ich __ \manuscriptBreak |
 +
    dei -- ne Ro -- sen -- pracht, grüß __ ich __ dei -- ne Ro -- sen -- pracht.
 +
    }
 +
 +
secondVerse = \lyricmode {
 +
    \set stanza = "2."
 +
    Ach, der Lie -- be sanf
 +
    -- tes We -- hen schwellt mir |
 +
    das be -- weg -- te __ Herz, sanft, wie ein ge -- lieb -- ter Schmerz. __ Dürft ich |
 +
    nur auf gold -- nen Hö -- hen mich im Mor -- gen -- duft er -- ge -- hen! Sehn -- sucht |
 +
    zieht mich him -- mel -- wärts, Sehn -- sucht zieht mich him -- mel -- wärts.
 +
    }
 +
 +
pianoRH =  \relative c''' \repeat volta 2 {
 +
    #(set-accidental-style 'modern)
 +
    g16(_\p fis a g fis g f e d c b a ) |
 +
    <g e>8( <es fis a> <d f b> <c e c'>) r8 r |
 +
    r8 c'( e,) f r a |
 +
    \once \override DynamicLineSpanner  #'padding =#3
 +
    r8 << { s8 s8 }  << { fis(\> g)\!
 +
    } \\ { c,4 } >> >> r8 <e c g> <e c g> |
 +
    <d c a>4. r8 \clef bass  <d b f> <d b f> |
 +
    e,16_" "_\markup { \bold\italic cresc. } g c g e g d gis b gis d gis |
 +
    c, e a e c e a,-\f d fis d a d |
 +
    b d g  d b g r4\fermata \clef treble g''8 |
 +
    as4.( g 4.) | fis4. r4 <d g>8 ( |
 +
    <f a>4.) <e g>4.( <es fis> ) <d f>\sf |
 +
    r8 <e c g> <e c g> r <d b g > <d b g> |
 +
    r <e c g> <e c g> r <f d b g> <f d b g> |
 +
    r <e c g> <e c g> r <d b f> <d b f> |
 +
    c16(_\f b c e g b c b c e g <e b'>) |
 +
    <c c'>8 r r <c, g e>8 r r\fermata | 
 +
}
 +
 +
pianoLH =  \relative c'' \repeat volta 2 {
 +
    #(set-accidental-style 'modern)
 +
    g16( fis a g fis g f e d c b a) |
 +
    \clef bass g4.( c,8) r r
 +
    \clef treble r4 <bes' c>8([ <a c>)] r <f c'> |
 +
    \clef bass r8 dis( e) r c c |
 +
    f,4. r8 g g |
 +
    <c, c,>4. <e e,>4. |
 +
    a,4. <d d,>4. |
 +
    g,8 r r g16 r16\fermata r8 g''8 |
 +
    as4.( g ) |
 +
    fis r4 <g b>8( |
 +
    <f c'>4.)
 +
 +
    \once \override Slur  #'height-limit = #1.0
 +
 +
    <g c>4.( | <a c>4.) <g b,> |
 +
    c,4 r8 g4 r8 |
 +
    c4 r8 g4 r8 |
 +
    c4 r8 g4 r8 |
 +
    <c g e c>8 <c e g> <c e g>    <c e g> <c e g> <c e g> |
 +
    <c e g> r r <c, c,>8 r r\fermata \clef treble
 +
    }
 +
 +
\book {
 +
    \score {
 +
<< \time 6/8
 +
  \new Staff <<
 +
      \context Staff #(set-accidental-style 'modern)
 +
      \melody >>
 +
  \lyricsto "singer" \new Lyrics \firstVerse
 +
  \lyricsto "singer" \new Lyrics \secondVerse
 +
  \new PianoStaff <<
 +
      \set PianoStaff.instrument = \markup {
 +
  \bold
 +
  \bigger\bigger\bigger\bigger \huge "2.  " }
 +
      \new Staff \pianoRH
 +
      \new Staff \pianoLH
 +
  >>
 +
      >>
 +
 +
\layout {
 +
    \context {
 +
\Lyrics
 +
minimumVerticalExtent = #'(-0.5 . 2.5)
 +
\override LyricText #'font-size = #-1
 +
    }
 +
    \context {
 +
\Score
 +
\override Beam #'thickness = #0.55
 +
\override SpacingSpanner #'spacing-increment = #1.0
 +
\override Slur #'height-limit = #1.5
 +
    }
 +
    \context {
 +
\PianoStaff
 +
\override VerticalAlignment #'forced-distance = #10
 +
    }
 +
}
 +
\midi {
 +
    \tempo 4 = 70
 +
}
 +
    }
 +
}
 
</music>
 
</music>

Revisjonen fra 11. sep. 2005 kl. 19:35

music[listen]

WikiTeX: lilypond reported a failure, namely:

/var/lib/mediawiki/extensions/wikitex/wikitex.sh: line 59: lilypond: command not found
Hentet fra «https://engen.priv.no/wiki/index.php?title=Test:Lilypond2&oldid=1593»